How does Raymonds manage it always? Stay relevant and true to their product, and also touch that part of you that commercial ads never manage to?
On a different note, a man who does not love his mother, will probably never love anyone else.
“The broken part heals even stronger thanthe rest,”they say. But that takes awhile.And, “Hurry up,” the whole world says.They tap their feet. And it still hurts on rainyafternoons when the same absent sungives no sign it will ever come back.
“What difference in a hundred years?”The barn where Agnes hanged her childwill fall by then, and the scrawled wordserase themselves on the floor where rats’ feetrun. Boards curl up. Whole new treesdrink what the rivers bring. Things die.
“No good thing is easy.” They told us that,while we dug our fingers into the stonesand looked beseechingly into their eyes.They say the hurt is good for you. It makeswhat comes later a gift all the moreprecious in your bleeding hands.- WILLIAM STAFFORD
Throughout history, women have been depicted in great works of art. There’s the Venus de Milo, Mona Lisa, Virgin Mary and even the Statue of Liberty. One thing they had in common: They were all the vision of perfection through the eyes of a man. “Society has a problem with female nudity when it is not . . . ”—Badu pauses to get her words together; she wants this point to be very clear—“. . . when it is not packaged for the consumption of male entertainment. Then it becomes confusing.”(Source)
Dear Forgiveness, you know that recentlywe have had our difficulties and there are many thingsI want to ask you.I tried that one time, high school, second lunch, and then again,years later, in the chlorinated pool.I am still talking to you about help. I still do not havethese luxuries.I have told you where I’m coming from, so put it together.I want more applesauce. I want more seats reserved for heroes.Dear Forgiveness, I saved a plate for you.Quit milling around the yard and come inside."— Richard Siken
"I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterious under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them."— Richard Siken
"All night I streched my arms acrosshim, rivers of blood, the dark woods, singingwith all my skin and bone ''Please keep him safe.Let him lay his head on my chest and we will belike sailors, swimming in the sound of it, dashedto pieces.'' Makes a cathedral, him pressing againstme, his lips at my neck, and yes, I do believehis mouth is heaven, his kisses falling over me like stars."— Richard Siken
A bookmark with the Wicked Witch of the East's legs and the ruby slippers...
"There were silences in my head. I could abandon myself completely to the pleasure of multiple relationships, to the beauty of the day, to the joys of the day. It was as if a cancer in me had ceased gnawing me. The cancer of introspection."
— Anaïs Nin
"I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave's a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that's what there is to do and get it while you can and good luck at it."
— Joan Didion
"Perhaps everybody has a garden of Eden, I don't know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare."
— James Baldwin
"It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate."
— Rainer Maria Rilke
And then the day came,when the riskto remain tightin a budwas more painfulthan the riskit tookto Blossom.-Anaïs Nin