“I want a soul mate who can sit me down, shut me up, tell me ten things I don’t already know, and make me laugh. I don’t care what you look like, just turn me on. And if you can do that, I will follow you on bloody stumps through the snow. I will nibble your mukluks with my own teeth. I will do your windows. I will care about your feelings. Just have something in there.” - Henry Rollins
August 30, 2011
Just Have Something In There...
August 26, 2011
Where Did That Word Disappear?
Go on, I dare you. I can see you looking at me the way you are, just like that. What are you going to do with it then? Yes I’m challenging you; look at me standing here, I’m not budging, it’s your move. I’m an elven Liv Tyler steeling against a wraith—if you want me, you can come and claim me. I’m not even packing Hobbit over here, I’m just waiting casually for you to cross whatever obstacle you see in your path. See, I’m tired of touching your thigh just this way, or placing my hand over yours just so; I want you to romance me.
Now you know I’m not one for gender stereotypes, I’ve asked guys out in the past and I’ll do it again. I’ve paid for their drinks and their dinners and I don’t care. I’ve changed their light globes. I’ve been strong for them when they’ve been emotional. I don’t like it when people say women are so-and-so or men are so-and-so, but goddamn it I am tired of this realism. I don’t want to be politically correct any more, I just want you to romance me. I am empowered, educated, and aware, and now, just for a moment, I want to be the princess you think is worth slaying dragons over.
I want you, once you’re done awkwardly avoiding catching my eye, once you’re done pretending you don’t notice me, once you’re done with insecurely waiting for me to make the first move, to ask me out. I don’t want you to text me or email me. I want you to say it to my face. I want you say it in a moment that will catch me completely off guard, and I want you to stumble over your words and I want you to blush, and I want to do the exact same as I accept.
Or you could just skip all the formalities and just kiss me. When we’re laughing the way we do, you should just kiss me. It doesn’t need to be in the rain or with fireworks exploding in the background. It can be at the bar or in a crowded street or anywhere, I don’t care—just kiss me you fool. And let’s both be gleefully embarrassed afterwards and hold hands in silence for a moment while we both digest the euphoria of our first kiss.
I want you to not let anything stand in your way. I want you to come for me, to sweep me off my feet with a simple look. I want you to want me in this grand, clichéd way, but without doing any of those grand cliché things. We can just watch a movie and drink some wine, as long as you let me snuggle into your side while we do it. And then, because you listen to me when we’re talking and you’re getting to know me so well, I want you to let me have the last slice of pizza, or the last bite of cake (but I’ll insist that we share it anyway, because I’ll know you are romancing me).
You should be impulsive when you’re romancing me. You shouldn’t wait the requisite 3 days to call or text me, you should just do it when it hits you. When your desire for me, to see me, to smell me, to hear my voice is so compelling there’s nothing else for you to do. I want you to be constantly thinking about me, and to do innocuous little things that to me, are loaded with meaning because they reflect the ways in which you are learning me. I want you to be reckless and passionate and I want you to let me be reckless and passionate too. I want you to disengage your baggage for me, and I want you to romance me like you’ve never romanced before.
And when you’re romancing me, I want you to challenge me and argue with me about my opinions. I want you to romance me in this dangerous haphazard way which screams of imperfection—which makes everything all the more romantic, because it’s so wildly flawed, and present and LOUD. I want you to look at me like the most beautiful thing you’ve ever seen when I’m at my worst, and I want you to embrace all the sides of me as you get to know them, as part of some ineffable creature you can’t untangle. I want you to romance me because when you think about it, you really can’t see any other way.
From, Thought Catalog.
Now you know I’m not one for gender stereotypes, I’ve asked guys out in the past and I’ll do it again. I’ve paid for their drinks and their dinners and I don’t care. I’ve changed their light globes. I’ve been strong for them when they’ve been emotional. I don’t like it when people say women are so-and-so or men are so-and-so, but goddamn it I am tired of this realism. I don’t want to be politically correct any more, I just want you to romance me. I am empowered, educated, and aware, and now, just for a moment, I want to be the princess you think is worth slaying dragons over.
I want you, once you’re done awkwardly avoiding catching my eye, once you’re done pretending you don’t notice me, once you’re done with insecurely waiting for me to make the first move, to ask me out. I don’t want you to text me or email me. I want you to say it to my face. I want you say it in a moment that will catch me completely off guard, and I want you to stumble over your words and I want you to blush, and I want to do the exact same as I accept.
Or you could just skip all the formalities and just kiss me. When we’re laughing the way we do, you should just kiss me. It doesn’t need to be in the rain or with fireworks exploding in the background. It can be at the bar or in a crowded street or anywhere, I don’t care—just kiss me you fool. And let’s both be gleefully embarrassed afterwards and hold hands in silence for a moment while we both digest the euphoria of our first kiss.
I want you to not let anything stand in your way. I want you to come for me, to sweep me off my feet with a simple look. I want you to want me in this grand, clichéd way, but without doing any of those grand cliché things. We can just watch a movie and drink some wine, as long as you let me snuggle into your side while we do it. And then, because you listen to me when we’re talking and you’re getting to know me so well, I want you to let me have the last slice of pizza, or the last bite of cake (but I’ll insist that we share it anyway, because I’ll know you are romancing me).
You should be impulsive when you’re romancing me. You shouldn’t wait the requisite 3 days to call or text me, you should just do it when it hits you. When your desire for me, to see me, to smell me, to hear my voice is so compelling there’s nothing else for you to do. I want you to be constantly thinking about me, and to do innocuous little things that to me, are loaded with meaning because they reflect the ways in which you are learning me. I want you to be reckless and passionate and I want you to let me be reckless and passionate too. I want you to disengage your baggage for me, and I want you to romance me like you’ve never romanced before.
And when you’re romancing me, I want you to challenge me and argue with me about my opinions. I want you to romance me in this dangerous haphazard way which screams of imperfection—which makes everything all the more romantic, because it’s so wildly flawed, and present and LOUD. I want you to look at me like the most beautiful thing you’ve ever seen when I’m at my worst, and I want you to embrace all the sides of me as you get to know them, as part of some ineffable creature you can’t untangle. I want you to romance me because when you think about it, you really can’t see any other way.
From, Thought Catalog.
August 25, 2011
August 24, 2011
Tea...
Weekend Meditation by Dana Velden (from the Kitchn)
HT: Divya :)
Making a cup of tea, a proper cup involving loose Assam and a strainer and gently warmed milk, is a start. So you go to the kitchen and put the kettle on and pull down the old white pot with the bright flower decal on one side. You start to feel the comfort of your task, the purpose of it filling up some of the empty space that sadness has carved into your heart. There's a reason for ritual, you discover, as you pour in a little hot water to warm the pot and then encircle it with your chilled hands: the repetition, the body memory, the soothing rhythm of things happening in a certain order and with intention.
The tea is hot and milky and for a while it is enough. But soon you realize that even though what you are experiencing is sadness and loss, there is also a request, a whisper, for celebration. A tiny acknowledgment that life and appetite must ultimately prevail. So you go to the pantry and find a crinkly package of butter cookies, just three little star-shaped ones with red candy centers, and a clementine. And a pretty plate to put them on because the request for beauty is somehow penetrating, sunbeam-like, the fog of sadness.
The clementine is, of course, a little too cheery but you gamely dig your thumb into the peel for you know that this is your responsibility now, to turn towards the brightness. The clementine answers you with a gruff, almost rude, spray of juice, sticky and fragrant. Suddenly you find yourself surrendering to it, to this little orange dictator that demands your attention and appreciation. And of course it is sweet and fills your mouth with joy.
The tea cools, and the clementine detritus curls on the table before you like the skin that a dragon would shed. You listen to the sounds of home, the tick of the clock, the refrigerator's hum. A few random and practical thoughts pop into your awareness: are there enough quarters for the laundry, will the package make it to Milwaukee on time, do hummingbirds migrate?
Slowly life gathers around you, urging you to get up from the table and start back into the busy doings of the day. You resist, lingering in the sorrow for a while longer, for that's where you last saw your old friend, the one whose passing has brought on this little one person tea party. Eventually you realize that sorrow isn't done with you yet, that it will be your companion for a while longer. So you rise from the table to sweep up the dragon's skin and wash up the dishes, a clutch of tears caught in the back of your throat.
But it's OK, it's alright. You're human and you're built for this.
HT: Divya :)
Hallway Mirrors...
In a strangers house, I turn the clock to 10 am, and I see her sip on cardamon tea by the frosted window pane, you sit on the couch, covered in green cashmere you look adorable, and you read her favourite book, you tell her about the cat who ate too many mice and died of hunger. She tells you how so many people die of happiness each year. You go back to your book later and she rinses her teacup with such love as if it were her own baby.
In a stranger's house, I walk downstairs and I see her sitting on the green grass under the warm sun. I see you plucking red flowers for her, only the reddest will do for her, she wears them in her pale hair. You both sit there on the green grass all morning getting up only to get a snack. She tells you she likes pickled tomatoes and you ignore her. You finish your beer and ask her to get you another. But she's too busy with her pickled tomatoes to listen to you now. So you both sit there all afternoon on a toasty summer day, breathing in each other's warm breath. You both glow of happiness, summer and maybe even love.
In a stranger's house, I open the window and I see the dark clouds enter your bedroom and I see you sprawled on the bed and I can hear her say how much she loves the orange and pink quilt her mom made for her when she was 8. You just nod your head and she takes the cue and tells you about her nightmare. You both cuddle without talking for hours and then she disappears under you.
In a stranger's house, I open the door and only empty walls greet me now.
In a stranger's house, I walk downstairs and I see her sitting on the green grass under the warm sun. I see you plucking red flowers for her, only the reddest will do for her, she wears them in her pale hair. You both sit there on the green grass all morning getting up only to get a snack. She tells you she likes pickled tomatoes and you ignore her. You finish your beer and ask her to get you another. But she's too busy with her pickled tomatoes to listen to you now. So you both sit there all afternoon on a toasty summer day, breathing in each other's warm breath. You both glow of happiness, summer and maybe even love.
In a stranger's house, I open the window and I see the dark clouds enter your bedroom and I see you sprawled on the bed and I can hear her say how much she loves the orange and pink quilt her mom made for her when she was 8. You just nod your head and she takes the cue and tells you about her nightmare. You both cuddle without talking for hours and then she disappears under you.
In a stranger's house, I open the door and only empty walls greet me now.
August 19, 2011
Stuffed Owl...
I wanted you to be the first to know - Harper & Row
has agreed to publish my collected letters to you.
The tentative title is Exorcist in the Gym of Futility.
Unfortunately I never mailed the best one,
which certainly was one of a kind.
A mutual friend told me that when I quit drinking,
I surrendered my identity in your eyes.
Now I'm just like everybody else, and it's so funny,
the way monogamy is funny, the way
someone falling down in the street is funny.
I entered a revolving door and emerged
as a human being. When you think of me
is my face electronically blurred?
I remember your collarbone, forming the tiniest
satellite dish in the universe, your smile
as the place where parallel lines inevitably crossed.
Now dinosaurs freeze to death on your shoulder.
I remember your eyes: fifty attack dogs on a single leash,
how I once held the soft audience of your hand.
I've been ignored by prettier women than you,
but none who carried the heavy pitchers of silence
so far, without spilling a drop.
Jeffrey McDaniel
August 17, 2011
August 04, 2011
LoveSong...
He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and sure forever and ever
Their little cries fluttered into the curtains
Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Off that moment's brink and into nothing
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy palace
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His words were occupying armies
Her laughs were an assassin's attempts
His looks were bullets daggers of revenge
His glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews
He showed her how to make a love-knot
Her vows put his eyes in formalin
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop
In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage
In the morning they wore each other's face
-Ted Hughes
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